In Lo que queda de nosotros cuando dejamos de pertenecernos (What Remains of Us When We Cease to Belong to Ourselves), the work explores the body as a space of connection, support and transformation, where individual identity seems to dissolve into a shared form. The collective gesture takes on an almost ritualistic dimension, reinforced by the presence of an ancient rock symbol whose meaning is now lost, and by the dried thistles, still standing tall, as images of permanence.

The work of Gerard Castellví (Montblanc, 1986) stems from years of contemplative observation and a constant quest to discover paintings in everything around him. His work connects the inner with the outer, using landscape, the figure and colour as territories for emotional exploration, in a continuous balance between the observed and the intuited.

His creative process navigates between intuition and conscious exploration, remaining true to a quest for formal synthesis that evolves towards progressive abstraction without losing the figurative link. Through simplification, Castellví seeks to distil the essential and create a pictorial experience capable of resonating with the same intensity as that which he perceives and experiences.

In a fast-paced world saturated with images, his work presents itself as a space of silence and reconnection. The honesty of the process and personal experience thus become a language capable of evoking unexpected resonances in the viewer.