{"version":"1.0","provider_name":"Galer\u00eda Victor Lope","provider_url":"https:\/\/www.victorlope.com\/en\/","author_name":"alex_victor","author_url":"https:\/\/www.victorlope.com\/en\/author\/alex_victor\/","title":"Fragment from Hauntopolis IX - Galer\u00eda Victor Lope","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"0lCQbY4Qm9\"><a href=\"https:\/\/www.victorlope.com\/en\/product\/fragment-from-hauntopolis-ix-2\/\">Fragment from Hauntopolis IX<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.victorlope.com\/en\/product\/fragment-from-hauntopolis-ix-2\/embed\/#?secret=0lCQbY4Qm9\" width=\"600\" height=\"338\" title=\"&#8220;Fragment from Hauntopolis IX&#8221; &#8212; Galer\u00eda Victor Lope\" data-secret=\"0lCQbY4Qm9\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},!c.wp.receiveEmbedMessage)if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,a,i,s=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=0;o<n.length;o++)n[o].style.display=\"none\";for(o=0;o<s.length;o++)if(r=s[o],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(i=parseInt(t.value,10)))i=1e3;else if(~~i<200)i=200;r.height=i}if(\"link\"===t.message)if(a=d.createElement(\"a\"),i=d.createElement(\"a\"),a.href=r.getAttribute(\"src\"),i.href=t.value,i.host===a.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(!o){o=!0;for(var e,t,r,a=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),s=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<s.length;n++){if(!(r=(t=s[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(a||i)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.victorlope.com\/wp-content\/uploads\/2023\/09\/fragmento-x-web.jpg","thumbnail_width":880,"thumbnail_height":820,"description":"Through drawing, painting and video, Santiago Talavera prefigures and reconstructs space by exploring the imaginative possibilities of nature. His scenes seem to form a fragmented history where the recently occurred and the imminent. His works open up avenues for speculation, and the conflicts arising from the relationship between culture and nature seep through.  Horror vacui operates in his work as a reaction to this history in pieces. In his works he creates surprising accumulations and superimpositions, resorting to collage, \"simulating\" glitch. Talavera's imaginary is marked by mistrust of the world, leading to the conclusion that we are a plague."}