Horse IV

Kepa Garraza

“With this project I want to create a visual journey through the history of the equestrian portrait, from ancient Greece to the present day. To do this I will make modified versions of some of the most representative works of art within this genre, but making a substantial change in each of them: The elimination of the horseman. These versions will be very similar both in technique and scale to the originals, except for the fact that in all of them the main character, the portrayed, is missing. With this project I want to reflect on power, its codes of representation and their permanence throughout history. These modified portraits have the vocation of perverting the original function of the original, thus turning the original propaganda images into altered versions where everything acquires a new meaning.”

Contact to buy
Compressed carchoal bar on paper
70 x 85 cm
2024
The estimated delivery time to addresses in Spain (except Balearic and Canary Islands and Ceuta and Melilla) will be from 2 to 5 working days, in the rest of the European Union countries from 5 to 7 days and for shipments to USA it will be from 7 to 15 working days. These delivery times are service estimates and are not linked to specific delivery times. For international shipments outside the European Union and the USA, a transport cost estimate will be made and a quotation will be sent to the buyer upon request. View our terms and conditions

Additional information

Artista

Kepa Garraza

About the artist

“With this project Kepa aims to create a visual journey through the history of the equestrian portrait, from ancient Greece to the present day. To do this he made modified versions of some of the most representative works of art within this genre, but making substantial changes in each of them: The elimination of the horseman. These versions will be very similar in both technique and scale to the originals, except for the fact that in all of them the main character, the portrayed, is missing. With this project he wants to reflect on power, its codes of representation and their permanence throughout history. These modified portraits have the vocation of perverting the original function of the original, thus turning the original propaganda images into altered versions where everything acquires a new meaning.”